Equestrian Coaching
(Carly Letch -Isle Of Man )
Developing on a circle
There are many ways to improve the suppleness of the horse by using circles and in particular making circles smaller and larger. In the early stages of training the exercise should be simple, by spiralling the circle in without any thoughts of lateral work. This can still be useful at later levels of training to make sure that the horse is listening to you and that you have control of the horse’s body so that there is no swinging of the quarters or falling through the shoulders.
The next stage is to leg yield in and out from the large circle to the smallest circle that the horse can keep balance and rhythm on. You will need to keep the horse as straight as possible rather than bent around the inside leg as it was on the spiralling in. The next stage is to develop the shoulder in and travers on a circle- staying initially on one sized circle but once you have control of the horse’s shoulders and quarters then you can develop by making the circle smaller and then larger firstly in shoulder in and then in travers. Taking the circle smaller in travers in walk or canter with the more developed horse is a good way to develop the strength required for walk/canter pirouettes
Another variation is to take the circle smaller in shoulder in and then leg yield out and when you reach the large circle then move forwards in a medium pace. This will work every area of the horse, connection, suppleness, impulsion and thoroughness. You may find that your horse’s stage of training is not sufficient to do all of the exercises in every pace but experiment and develop providing that you ensure that you have control over the quarters and shoulders
(Nina de Luca with Mile by Mile)
Giving treats
Treats can be a very useful way of rewarding the horse for good behaviour and also for helping in socialization of youngsters, however it is important to ensure that you do not end up as a rider who gets mugged by their horse and risks getting bitten. Some horses are more food motivated than others and these can easily be encouraged to change behaviour by being given a treat after exhibiting that correct behaviour. Once you have rewarded for such behaviour you need to extend the period between giving the treats and you also need to be consistent about giving that reward. If you give a treat regardless of behaviour then the horse does not see it as a reward but as a right and is therefore more likely to demand, perhaps by nipping at your pockets or hands.
Preferably you should give the reward in a bucket or bowl that the horse can associate with the treat and not associate your hand or pocket. So giving the horse a food treat from a bowl after being caught or after having loaded can be very effective. You should aim to avoid becoming a human vending machine and never give a treat if the horse is exhibiting poor behaviour.
There are many ways to give rewards that are not food related and for the horse that is not particularly food oriented then this can be a much stronger influence. This requires you to be aware of when the horse is reacting in the right way to your aids/communications. As soon as the horse responds in the right way then you should cease asking and make sure you become relaxed- a sensitive horse will associate the correct behaviour with the relaxed feeling of the rider which in itself is a treat.
Another treat can be the well placed and well timed scratch in an appropriate area such as the withers or on the neck- this can be much more effective and helpful than using food rewards or clicker or other such training as it is a practical system that you can use in any situation and is much more of a bond-builder than treats. Try to avoid bribery -giving a treat before the action is completed- but accept that treats of some description can be a powerful tool in your training.
(Late O'Leary Winter Championships)
Understanding the movements- pirouettes
Essentially the pirouette is a movement where the horse’s forehand performs a small circle around the quarters with the radius of the circle being equal to the length of the horse. The centre of the circle is the inside hind-leg of the horse with the leg lifting off the ground and then being replaced in the same spot. The collected walk pirouette is ridden through either 90 degrees (quarter pirouette) or 180 degrees (half pirouette), whereas the pirouette in collected canter or piaffe is ridden through 180 or 360 degrees (full pirouette)- indeed in the Grand Prix Kur the rider is allowed to show a double (720 degree) pirouette.
In practice pirouettes are rarely this small and it is more important that the rhythm of the pace is maintained and that the feeling remains forwards (the horse should never step backwards) and that the quality of the way of going is maintained. The horse must always maintain the activity of the steps, be flexed and bent in the direction of the movement. In the canter pirouette the horse needs to be able to show that he can increase the carrying capacity of the inside hind leg by bending all of the joints in the haunches. The rider needs to feel that they can ride forwards out of the pirouette whenever they desire but if the weight does not transfer correctly to the inside hind leg then this will not be possible. In a full pirouette then the rider should show 6-8 strides and the exact number will depend on the cadence and balance of the steps. In a half pirouette then there will be 3-4 steps.
The rider’s aids will be to have the horse correctly bent around the inside leg, maintaining their weight in a level way (and not leaning into the turn) keeping their shoulders and hips level with the shoulders and hips of the horse. The outside leg is a little behind the girth to maintain the sideways movement and prevent the quarters stepping out but not so strong that they push the hind legs further to the inside. The inside rein gives the appropriate flexion and indicates the sideways direction of the movement. The outside rein controls flexion and bend and supports the outside leg in controlling the quarters and in addition will control and dictate the speed of the turn but without blocking the flow of the movement. At the end of the movement then the rider uses the outside rein and inside leg to ride forwards on to a straight line to re-establish the “schwung” and activity of the pace.
In order to ride the pirouette the rider needs to know that they can shorten and activate the steps of the walk or the canter without losing the rhythm and quality of the steps. The rider should also be confident that they can ride the shoulder fore in walk/canter as this is in this movement the shoulders are brought around the inside hind leg which is the foundation of the pirouette. In order to strengthen the inside hind leg then the travers in the canter on a small circle (often referred to as the working pirouette) will develop the carrying power. I prefer not to refer to the exercise as a working pirouette as I feel it can sometimes lead less experienced riders to think that the pirouette should be ridden from the travers whereas the line should always be form the shoulder fore.
From the Archive; Scales of Training (Part 1)
The Scales of Training are now a staple part of the British Dressage training system having been translated from the German system that has been so successful over many years-for an in depth understanding of the system the best place to research this is through the German handbooks (see links).
Whilst there are six separate scales, they all mesh together and have to be repeated and improved throughout the training of the horse. The scales are; Rhythm; Looseness and suppleness; Contact; Impulsion; Straightness; and Collection.
A horse cannot truly be said to have rhythm if it is not loose and supple, both mentally and physically and none of these scales can be achieved unless the horse has an acceptance of the contact and remains in front of the rider's leg. In Preliminary training we are looking for a clear correct rhythm with relaxation, suppleness and looseness and lack of negative tension with the horse accepting a supple and even contact. Once this is achieved we start to look for development of impulsion and pushing power which should not be developed before the horse is physically or mentally ready to accept this in an easy balance.
Straightness is a prerequisite to develop true impulsion and, from there, collection, but there is an acceptance that a young horse is unlikely to be straight early in his training and the development of the other scales produces straightness. However this is not an excuse for the horse to be very crooked in his basic work, more an allowance that by balancing on his shoulders a little in the early stages, this will produce a slight lack of straightness as horses are wider behind than in front and so naturally lose straightness when they are allowed to balance on the fence or outside wall. Collection also develops over the various levels and need only be enough that the horse retains balance and rhythm in each of the movements he is required to do at each level in his path to the ultimate collection - the Grand Prix.
We will consider each of the scales in turn over future articles.
Future Topics;
Understanding the Movements (4 more topics)
Previous Topics include;
Dressage to music
Rider fitness & Pilates
Individual Scales of Training
The Inter-relationship of the scales of training
Home Gym for the horse
Leg Yield; Rein Back;Shoulder In;counter canter
Understanding the Requirements for Lateral work
I will be republishing previous articles but if there are specific articles that you would like to see then please send me a contact form
Goal of the Month-Feb 12- How well do you know your horse?
I am often asked what you should put in your horse journal and information about your horse is a very important element. Do you know what his resting heart rate is? What is his normal temperature? When did you last record his blood results or worm count? What are his measurements and weight? What did the dentist say about his teeth and what about any other treatment? If you are recording the information on a regular basis then it will make more sense to the vet when they take recordings when the horse is showing any illness. Record when you get the best performances from your horse and map that against your records both medical and other areas. Does your horse go better before turn out or after? Is he easily affected by your moods such as when you are tired from work? Record your mare’s season patterns and see what that tells you.
How does your horse react to strong sounds, smells or large visual stimuli? Does he run away or stand his ground? Is he a fast learner or does he need repetition? Does he bond easily or is he aloof and self-reliant? Is he tolerant or over-sensitive to your mistakes? Some training systems such as Parelli have developed a detailed horse personality profile system. Whilst I am not personally totally convinced by their ideas I do think it is important to really understand your horse’s personality so that you can work with his individuality- the horse that is motivated by food can be encouraged with rewards for good behaviour but by awarding treats without reason it can encourage the horse to search your pockets and even bite you for those treats.
So start keeping more detailed records and watching your horse then you can make reasoned decisions about his health and well-being.
Previous Goals include
The horse that leans on the bit
Introducing the Double Bridle
Improving the feel
Walk Shoulder in on the centre line
Improving the turns
Improving the rein back
improving Suppleness
Developing peripheral vision
Final Test Preparations
Back to basics
Getting the right rein balance
Please use the contact form if you want to learn more about any of these previous Goals
Louise Clark & Feiner Pino (by kind permission Susan Young -see links)
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